Charlotte Clermont

cv

formation

2016    BFA en Studio Arts, université Concordia, Montréal, QC

 

distribution 

Vidéographe (Montréal) - Winnipeg Film Group (Winnipeg) 

 

exposition solo

2018 

Plant Dreaming Deep - Window Display, Künstlerhaus Bethanian, Berlin, Allemagne

 

expositions collectives

2019

Plant Dreaming Deep - Stuttgart International Festival of Animated Film, Geheimtipp Stuttgart, Stuttgart, Allemagne (à venir)

514-835-9658 - La Traverse Vidéo, Volet exposition, Toulouse, France (à venir)

Parking Lot Attendant - "Glitch", Los Angeles Centre for Digital Art, Los Angeles, États-Unis

Synesthesia in Slow Motion - Kanna Fall Art Festival, Onishi, Japon

Waiting For The Next Timeless Tuesday - Open Studio avec Rexy Tseng, Fusion Art Gallery, Turin, Italie

Strange Fictional Conversations While Preparing Late-Night Stir-Fry - Biennale Itoshima Arts Farm, Itoshima, Japon

 

projections 

2019

Plant Dreaming Deep - European Media Art Festival, Osnabrück, Allemagne (à venir)

Plants Are Like People - La Traverse Vidéo, Toulouse, France (à venir)

How Flowers Never Became A Food Group, Cosmic Rays, Chapel Hiil, États-Unis (à venir)

Plant Dreaming Deep - Les Rendez-vous Québec Cinéma, Montréal, Canada (à venir)

514-835-9658 - Les Rendez-vous Québec Cinéma, Montréal, Canada (à venir)

How Flowers Never Became A Food Group - Cinema On The Bayou Film Festival, Lafayette, États-Unis

 

2018

Plant Dreaming Deep - Istanbul International Experimental Film Festival, Istanbul, Turquie

How Flowers Never Became A Food Group - Alternative Film/Video Festival, Novi Beograd, Serbie

Plant Dreaming Deep - Transient Visions, Johnson, États-Unis

How Flowers Never Became A Food Group - Beijing Int. Short Film Festival, Beijing, Chine

as close as possible/as far as possible - Pugnant Film Series, Athènes, Grèce

Plant Dreaming Deep - WNDX Festival of Moving Image - Winnipeg, Canada

as close as possible/as far as possible - 25th OpenEyes Filmfest - Marburg, Allemagne

How Flowers Never Became A Food Group - La Bête Rousse - France

514-835-9658 - La Bête Rousse - France

Plant Dreaming Deep - Images Contre Nature, Marseilles, France

Plant Dreaming Deep - Montreal Underground Film Festival, Montréal, Canada

514-835-9658, Les Rendez-vous vidéo-poésie, Montréal, Canada

Plant Dreaming Deep - Noisefloor Experimental Music and Moving Image Festival- Stoke-On-Trent, Angleterre

Plant Dreaming Deep - Hamburg International Short Film Festival, Hamburg, Allemagne

Plant Dreaming Deep - Edinburgh International Film Festival, Edinburgh, Écosse

Parking Lot Attendant, Film and Video Poetry Symposium - Los Angeles, États-Unis

How Flowers Never Became A Food Group - European Media Arts Festival, Osnabrück, Allemagne

How Flowers Never Became A Food Group - 28th Annual Experimental Intermedia Festival, commissaire: Katherine Liberovskaya, New York, États-Unis

How Flowers Never Became A Food Group - Experiments in Cinema, Albuquerque, États-Unis

as close as possible/as far as possible - IFF Rotterdam, Rotterdam, Pays-Bas

How Flowers Never Became A Food Group - Les Rendez-vous Québec Cinéma, Montréal, Canada

Parking Lot Attendant, Cinema On The Bayou Film Festival - Lafayette, États-Unis

How Flowers Never Became A Food Group - Les Inattendus Film Festival, Lyon, France

Parking Lot Attendant, International Film Festival ZOOM - ZBLIŻENIA, Jelenia Gora, Poland

How Flowers Never Became A Food Group - La Traverse Vidéo, Toulouse, France

as close as possible/as far as possible - La Traverse Vidéo, Toulouse, France

as close as possible/as far as possible - Nur Box Theatre, EMMEDIA, Calgary, Canada

 

2017   

Plant Dreaming Deep, Titanik Gallery, Turku, Finlande

Parking Lot Attendant, London Experimental, Londres, Angleterre

as close as possible/as far as possible - PARTICLE + WAVE Media Arts Festival, Calgary, Canada

How Flowers Never Became A Food Group - Up-and-Coming, Hannover, Allemagne

Parking Lot Attendant - Les Instants Vidéo, Buenos Aires, Argentine

How Flowers Never Became A Food Group - Arctic Moving Image and Film Fest., Harstad, Norvège

Parking Lot Attendant - Bideodromo, Bilbao, Espagne

Pink Noise - Havana Film Festival, Havana, Cuba

Élise-Élise #1 - Queer Film Festival Basel, Luststreifen, Allemagne

as close as possible/as far as possible - WNDX, Winnipeg, Canada

How Flowers Never Became A Food Group - Antimatter [ Media Art], Victoria, Canada

How Flowers Never Became A Food Group - Les Percéides, Percé, Canada   

How Flowers Never Became A Food Group - Square Pegs 8, Kingston, Canada

We Are The Way We Are Because Nature Will Allow It - VFP, GIV, Montréal, Canada

We Are The Way We Are Because Nature Will Allow It - Montreal Underground Film Festival, Montréal, Canada

Parking Lot Attendant - Montreal Underground Film Festival, Montréal, Canada

Parking Lot Attendant, European Media Art Festival, Osnabrück, Allemagne

We Are The Way We Are Because Nature Will Allow It - Festival Oodaaq, Rennes, Nantes et St-Malo, France

Parking Lot Attendant - ExScreen 013, Kuala Lumpur, Malaisie

as close as possible/as far as possible - ExScreen 013, Kuala Lumpur, Malaisie

(Tokichiro) Non-Romantic Repetitiveness - ExScreen 013, Kuala Lumpur, Malaisie

Pink Noise, Experiments in Cinema Festival, Alburquerque, États-Unis

We Are The Way We Are Because Nature Will Allow It  - Les Rendez-Vous du cinéma québécois, Montréal, Canada

Parking Lot Attendant  - ExMTL, Bangkok, Thaïlande

as close as possible, as far as possible  - ExMTL, Bangkok, Thaïlande

(Tokichiro) Non-Romantic Repetitiveness  - ExMTL, Bangkok,Thaïlande

 

2016

We Are The Way We Are Because Nature Will Allow It - BIG and SMALL, Brand New Blinkers, Londres, Angleterre

Strange Fictional Conversations While Preparing Late-Night Stir-Fry - Biennale Itoshima Arts Farm, Itoshima, Japon

Parking Lot Attendant - Glitch analogique du nord, commissaire : Rob Feulner, Artists’ Television Access, San Francisco, États-Unis

Pink Noise  - New Additions Screening Series, VIVO, Vancouver, Canada

Élise-Élise  - Festival Chromatic, Rally Ossington Gallery, Toronto, Canada

Élise-Élise  - Festival Chromatic, Hangar 16, Montréal, Canada

 

performances visuelles

2018    Moshi Moshi, Atomic Café, Montréal, Canada

2017    Anette Zénith, la lumière collective, Montréal, Canada

2017    Kazuki Koga, MEG, Atomic Café, Montréal, Canada

2017    Émilie Payeur, Poisson Noir, Montréal, Canada

2017    Hazy Montagne Mystique, Yannick Chayer, Club Balattou, Montréal, Canada

2017    Joane Hétu, Viviane Houle, Cléo Palacio-Quintin, Casa Obscura, Montréal, QC

2017    Anne-Françoise Jacques, Jeunesse cosmique, La Vitrola, Montréal, QC

2016    Sudarshan Chandra Kumar, KLEX Film Festival, Kuala Lumpur, Malaisie

2016    1/4 Tonne Kabelgewirr, Suoni Per Il Popolo, La Sala Rossa, Montréal, Qc

2016    Elizabeth Anka Vajagic, Nuit Blanche, La Passe, Montréal, QC

 

performances audio

2019   Moshi Moshi, Barfly, Montréal, Canada

2018   Émilie Payeur, Kanna Art Festival, Onishi, Japon

2018   Moshi Moshi, Ritz P.D.B, Montréal, Canada

 

résidences

2018    Shiro Oni, Onishi, Japon

2018    Fusion Gallery, Turin, Italie

2017    Signal Culture, Owego, New York, États-Unis

2016    Studio Kura, Itoshima, Japon

2016    Vidéo In Vivo #6, Vidéographe, Montréal, QC

2015    Recherche-création, Vidéographe, Montréal, QC

2015    Vidéo In Vivo #4, Vidéographe, Montréal, QC

 

artiste invitée

2016    Analog-ing , Next New Wave, Da Huang Pictures, Kuala Lumpur, Malaisie

 

bourses

2019    Bourse de déplacement, Conseil des arts du Canada

2018    Bourse de résidence, Conseil des arts du Canada

2018    Les Offices jeunesse internationaux du Québec

2018    Bourse de résidence, Conseil des arts du Canada

2018    Les Offices jeunesse internationaux du Québec

2017    Bourse de déplacement, Conseil des arts et des lettres du Québec

2017    Bourse de déplacement, Conseil des Arts du Canada

2016    Bourse de déplacement, Conseil des Arts du Canada

2016    Les Offices jeunesse internationaux du Québec